The UniveX Model AF Series
Vest Pocket Kodak, Model B
The UniveX Model AF was much smaller than the VPK, measuring 2-1/8” x 4” x 7/8” when closed. The shutter had only two settings, I and T (instant and time). The lens had but a single stop, and was clearly designed for outdoor use. However, for Universal’s target demographic, this was no problem. Amateur photography in those days precluded the use of flash, and the UniveX AF was a viable competitor to Kodak’s offerings at a lower price. The camera was offered in four colors – black, brown, green, and blue.
UniveX Model AF in black
Other special versions of the Model AF were produced as premiums and corporate giveaways. “The Hollywood Camera” was a special version about which little is known – it carried no UniveX markings at all, and no documentation of its production is extant.
The UniveX Model AF-2 was released in 1936, bearing a black, red and chrome art deco style faceplate, the quick-release bellows button, and a hinged back. Price was $1.50.
The UniveX Model AF-2
The UniveX Model AF-4 came out in 1938. It was essentially the same as the AF-3, only not featuring the “Duo Achromatic Lens” marking on the front plate. It sold for $1.95.
This nice specimen of the UniveX AF-4 closely resembles the AF-3
The UniveX Minicam Model AF-5
More to come……
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A Jewel of a Camera: the Shady Origins of UniveX
The first molded plastic cameras came out in 1933-34
Early History of the Universal Camera Company (UniveX)
In 1933, at the height of the Great Depression, two men in the taxicab business decided to start a camera company. Otto Githens was an executive for a loan company that specialized in financing taxicab operations. His new partner, Jacob Shapiro, was an agent for a taxicab insurance underwriter. Between the two of them, they had a total of zero years of experience in the camera business, yet they were enthusiastic about their ability to take on Eastman Kodak in the amateur photography market. They had ideas about how to achieve their goal, and some of these ideas were scoffed at by Kodak and Ansco, the two American companies who currently controlled the market. First off, they planned to produce and sell a camera for the paltry sum of 39 cents. At this rate, anyone who really wanted a camera could afford to buy one. The second step of their plan involved the film for the camera. They contracted Gevaert of Belgium to produce a proprietary rollfilm which would sell for 10 cents. Each roll would provide six exposures, and their camera would only accept this film. These non-standard film formats were essential to their business plan, since they could give cameras away if necessary, and still make money on the film. The final step in their plan followed directly from step 2: they would set up processing labs across the country to develop the non-standard film, thus insuring control of the entire supply chain.
They did in fact put their plan into action, and in 1934, they sold 2.6 million of their little molded Bakelite cameras. Needless to say, they also sold millions of rolls of film, and they also processed that film. In a few years they would be able to boast that they sold more cameras per year than any company in the world.
If the years 1933 and 1934 heralded the start of the Universal Camera Company, they also heralded the beginning of a reputation that would follow the company throughout its history. It seems that, while investigating how to produce their popular little camera, they spoke extensively to Norton Labs in New York about designing and producing their camera for them. There seems to be some doubt about what was said and agreed upon, but what is known is that when the UniveX Model A hit the market, the boys at Norton Labs were dismayed. They had gone ahead with the camera design and even made molding dies, believing that they had a production contract with Universal
- The first molded plastic cameras came out in 1933-34
- Model A Sunburst (second version of 1933)
- Front View
- Back View
- Model A Geometric Design of 1934
- Front View
- The original Norton Camera
- Norton Back View
. The camera looked amazingly like the UniveX Model A. Patents were applied for by both companies. An “interference” was adjudged, and a hearing was held. The courts eventually found in favor of Universal, and the UniveX camera remained on the market. In fact, Universal eventually bought Norton Labs out, rebadging the Norton Camera as the “Norton-UniveX.” Many critics of the Universal Camera Company believed that they had simply stolen Norton’s design, beaten them to market, and bullied their way through the courts on the strength of their position in the marketplace. True or not, they did accomplish one thing that proved to be good for the photographic industry: they made the camera affordable. Within a few years, Kodak, Ansco, Argus, and many others were selling molded plastic cameras in order to compete in the amateur photography market. Universal was the reason for all of it.
Facts for the Collector
The Univex Model A began as an all-plastic camera with an imported glass meniscus lens and a single speed metal shutter. The front of the camera bore a sunburst design, the lens opening was plain and unadorned, and the wind knob was plastic. This version was made only in 1933, and is very rare. I don’t own one, and I’ve only seen them in pictures.
The second 1933 model also bore the sunburst design, but the following design changes are evident: first, the lens opening is stepped, to reduce stray light reflections; second, the wind knob is made of die-cast zinc rather than plastic.
In the spring of 1934, the “geometric” design, bearing stripes along the axis of the lens barrel, appeared, displacing the sunburst designs. This is the most common camera design, and included a newly designed box as well.
Photos below depict the second 1933 sunburst model, the 1934 geometric design, and the original Norton Camera design that was the center of so much litigation. These little cameras still show up in flea markets, yard sales, and antique shops from time to time. They are omnipresent on Ebay, although they are often misrepresented as “rare.” Considering that about 3 million were made by the end of 1934, it’s not surprising that they’re still out there.
